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              <text>OBERLIN COLLEGE&#13;
&#13;
OBERLIN COLLEGE&#13;
THE STORY OF THE LIBE&#13;
By Professor Robert S. Fletcher ('20)&#13;
A Senior Assembly Talk Delivered&#13;
in Finney Chapel, April l23, 1941&#13;
&#13;
June, 1941 Oberlin, Ohio&#13;
&#13;
The present expansion of the physical plant of the library, though&#13;
notable, is by no means unique. Since the Eighties, at least, the college&#13;
librarian has in most years viewed the incoming flood of print with an&#13;
enthusiasm tempered by fear of a more or less imminent overflow. Even&#13;
as early as 1848 the librarian presented a request to the Prudential Com-&#13;
mittee asking that an extra shelf might be put up. Always eventually by&#13;
some means more space has been provided.&#13;
&#13;
At ﬁrst the college books were kept in any room that happened to be&#13;
handy—from 1855 until after the Civil War this was in the old chapel on&#13;
the square. Society Hall, which was erected in 1868 just across the street&#13;
from the present site of Finney Chapel, contained space on the upper floor&#13;
for both the college and literary-society libraries. In 1884-85 the Spear&#13;
Library was built, also on the square, facing Tappan walk not far from&#13;
North Main Street. The ﬁrst floor was reserved for use as a natural history&#13;
museum but the second ﬂoor was available for book alcoves and a small&#13;
reading room. At the dedication of this building on November 2, 1885,&#13;
the marble statue of the “Reading Girl” was the center of interest accord-&#13;
ing to the Review. The sculptor was John Adams Jackson, an American&#13;
artist of some repute in his day. This piece had been done in Florence in&#13;
the Sixties and rated a laudatory article in the Berliner Zeilimg in 1869. It&#13;
was given to Oberlin by an American collector particularly for the library.&#13;
“Surely,” ecstasized the Review, " [her] eager, intellectual face with its in-&#13;
tense absorption must be an inspiration to the most unappreciative mind."&#13;
But the librarian was more interested in books and shelving space&#13;
than statues, and within a. decade, despite the fact that only a few hundred&#13;
dollars was available annually for purchases, he was complaining that many&#13;
volumes had to be piled on tables and on the floor and temporary shelves&#13;
had to be put up in the tiny reading room. In 1905 the museum was re-&#13;
moved from the lower floor and the overcrowding was thus somewhat&#13;
relieved. Already, however, it had become apparent that an entire new&#13;
building was needed. The problem was solved in a most unusual, not to&#13;
say providential, manner.&#13;
Sometime in the same year, 1903, a young Cleveland matron appeared&#13;
at the Citizens National Bank of Oberlin and asked to borrow $50,000.&#13;
Cassie Chadwick is described as having had a ﬁgure of fashionable "hour-&#13;
glass lines” on which she "wore clothes like a duchess." Her face, it is said,&#13;
was that "of a slightly sad angel” and her eyes were "large, deep and sin-&#13;
cere." Cassie was, you will gather, quite fetching. As collateral for the&#13;
proposed loan she offered a personal note for half a million dollars signed&#13;
by Andrew Carnegie. She was not at liberty, she said, to explain why the&#13;
steel magnate should be so generous.&#13;
436961 &#13;
2&#13;
So they gave her the ﬁfty grand, and she came again and again until&#13;
she had borrowed $350,000. Back in Cleveland she bought pianos by the&#13;
dozen and provided all three of her maids with mink coats. Then in No-&#13;
vember, 1904, the news came to Oberlin that Cassie Chadwick was a pro-&#13;
fessional autograph manufacturer, who had already served one term for&#13;
practicing her art. The bank closed its doors. $550,000 out of Oberlin&#13;
didn't leave much. Townsmen lost their savings and students lost the money&#13;
they had put aside to pay board bills.&#13;
Of course, Carnegie wasn’t responsible, but because his name had been&#13;
used he gave $15,000 to make up the losses of college students. One day&#13;
President King, while in New York, went in to thank Carnegie for his&#13;
kindness. He came out with a promise of $125,000 to build Oberlin a new&#13;
library building.&#13;
And so the 75th anniversary of the college was celebrated in 1908 by&#13;
the dedication of Finney Chapel and the Carnegie Library. Wﬂliarn&#13;
Coolidge Lane, Harvard librarian, delivered the dedicatory address. Cassie&#13;
Chadwick got ten years.&#13;
In the new building there were originally only four floors of stacks&#13;
with the Olney Art Collection displayed in the space above them. Soon&#13;
the shelves were overcrowded again. The removal of the art exhibit to&#13;
the new Allen Art Building during the World War years left room for two&#13;
more levels of glass and steel stacks. These, also, were soon ﬁlled, and&#13;
thousands of items had to be sent to storage in the attics of various college&#13;
buildings. And now again ‘new dikes have been built to catch the over-&#13;
flowing tide of books.&#13;
 *   *   *&#13;
The great college or university library is a really recent development.&#13;
The Harvard library of the time of the American Revolution could have&#13;
been placed in one of our downstairs open-shelf rooms, and any other&#13;
American college library of that date would have found room and to spare&#13;
in the reserve book alcove. Even in 1880 there was not one American&#13;
college that possessed half as many books as Oberlin does today.&#13;
Oberlin’s ﬁrst books were not purchased; they were the castoff volumes&#13;
from Yankee preachers’ libraries. In 1855 the total value of all college&#13;
books was estimated at a hundred dollars. In the next year 800 volumes&#13;
were reported--on literature, history, philosophy, religion, music, slavery,&#13;
and phrenology. A good many of them were in Greek, Hebrew and Latin;&#13;
two were in French. In 1840 a gift of 2,000 books was received from phil-&#13;
anthropic English Quakers and other British reformers. The collection&#13;
grew slowly in those early years. By 1882 some 15,000 volumes had been&#13;
accumulated, and by the end of the century, 40,000. When the Carnegie&#13;
library was opened 100,000 volumes were brought over from the old build-&#13;
ing along with the “Reading Girl."&#13;
3&#13;
&#13;
This number included the college library and the library of the liter-&#13;
ary societies, the latter donated to the main library at that time. Extra-&#13;
curricular student life in all American colleges formerly centered around&#13;
the literary societies, and one of the leading activities of such societies was&#13;
the collection of books. Before the Civil War Oberlin’s two men's socie-&#13;
ties had over a thousand volumes and the ladies’ societies had begun a&#13;
library by sending a delegation down to Mr. Fitch's bookstore to purchase&#13;
Motley’s Dutch Republic, Tennyson's Workt, and Irving’s Warbingtan.&#13;
After the war all the societies joined together in forming the Union Library&#13;
Association. This organization sponsored a series of lectures each year by&#13;
such luminaries as Russell H. Conwell, Mark Twain and Elbert Hubbard,&#13;
and used the proﬁts to buy books for the combined literary societies’&#13;
library. Though the U.L.A. library was smaller, as late as the Nineties at&#13;
least it was probably more valuable than the college library. The U.L.A.&#13;
collection was the most important single acquisition in the library’s history,&#13;
an appropriate gift from earlier student generations to later ones.&#13;
The rate of growth accelerated after 1908. In 1920 the accessioning&#13;
of the 200,000th volume was celebrated by a staff banquet at the Park&#13;
Hotel. The 300,000 mark was passed before the end of the decade. Yes-&#13;
terday when a book called The Social Relation: of Science by ]. G. Crowther&#13;
was accessioned it became the 410,579th bound volume.&#13;
Oberlin has had but ﬁve librarians. The ﬁrst two were librarians only&#13;
incidentally. Dear old Dr. Dascomb also taught all the science and Henry&#13;
Whipple was principal of the Preparatory Department. Henry Matson,&#13;
a former stenographer and Congregational minister, served at Society Hall&#13;
for ﬁfteen years—the ﬁrst full-time librarian.&#13;
Azariah Root was librarian for forty years, from 1887 to 1927. He&#13;
was one of Oberlin’s chief builders. His responsibilities and contributions&#13;
were so numerous that I shall catalog only a few of them. He was an active&#13;
worker in Oberlin community affairs, a founder of the Anti-Saloon League,&#13;
vice-chairman of the faculty, a lecturer before many library schools, Presi-&#13;
dent of the American Library Association and of the Bibliographical So-&#13;
ciety of America. In his later years he was everywhere recognized as the&#13;
dean of college librarians. More important to us, as one of his most dis-&#13;
tinguished fellow-librarians (William Warner Bishop) said of him after&#13;
his death, "by prodigious industry and unremitting toil,” he developed a&#13;
very ordinary college library into "a real institution." He made, I may&#13;
add, an institution which could attract Julian Fowler in 1928 from the&#13;
ﬁne new library at the University of Cincinnati to be his successor.&#13;
Librarians of the early years were looked upon more as guardians than&#13;
as guides. Guardians of the books against the students and of the students&#13;
against the books. The ﬁrst library bookplate states that students must&#13;
report all damage to a book when returning it. There still seems to be&#13;
4&#13;
&#13;
need for vigilance to repress the impulses of the annotator and the marginal&#13;
artist. At an early date the librarian was given authority to withhold from&#13;
circulation any book he considered unﬁt for student use. Only twenty years&#13;
ago certain franker writings and translations of the classics that might be&#13;
used as "ponies" were kept locked up on the top floor of the stacks. The&#13;
effort to protect the student from the books seems to have been given up&#13;
as hopeless.&#13;
In the Nineteenth Century American colleges did not expect their&#13;
students to make much use of the library in connection with regular cours-&#13;
es. As late as 1884 the Oberlin librarian reported that the library was&#13;
chieﬂy used by students in preparing orations, essays and briefs for literary&#13;
society meetings, "exhibitions" and Commencement. Those were the days&#13;
before “outside reading."&#13;
For many years no reading room was provided. In the Eighties the&#13;
U.L.A. reading room was open afternoons "from one o'clock until prayers"&#13;
and the college library reading room only four hours a day: two hours for&#13;
"ladies" and two for "gentlemen." In the Nineties Spear Library was open&#13;
to all without discrimination as to sex from 7: I5 in the morning until ﬁve&#13;
in the afternoon, with time out for lunch. When in I902 gas light gave&#13;
way to electricity the library was opened in the evenings and a new era&#13;
began in the intellectual and social history of the college. The large read-&#13;
ing room in the Carnegie building was often overcrowded even before the&#13;
ﬁrst World War. The spacious new reserve-book reading room on the ﬁrst&#13;
ﬂoor with its nearly 200 chairs should relieve this situation.&#13;
In number of bound volumes the Oberlin library stands twenty-ﬁfth&#13;
among all the university and college libraries in the United States. In Ohio&#13;
the only such library to surpass or even remotely compare in size to ours at&#13;
Oberlin is that of Ohio State. For a while at least this great collection will&#13;
have plenty of room on the more than thirteen miles of shelves in the ex-&#13;
panded building. But the present librarian is less interested in size than&#13;
in quality and use. He is particularly proud of the fact that nearly all col-&#13;
lege and theological students draw out some unreserved books every year.&#13;
An indication of the quality of the collection may be found in the fact that&#13;
last year 61 other libraries in 21 states and Canada borrowed books from&#13;
Oberlin through the interlibrary loan system.&#13;
A century and a quarter ago George Ticknor, studying at Gottingen&#13;
in Germany, made the discovery that "the Library is not only the ﬁrst con-&#13;
venience of the University, but that it is the very ﬁrst necessity,——that it is&#13;
the life and the spirit, . . . ." The library, wrote Oberlin’s Librarian Henry&#13;
Matson, is "the intellectual treasury of the college.” It has been one of our&#13;
chief privileges in Oberlin to work in this great and growing library, so&#13;
effectively staffed and liberally administered, and now conveniently housed.&#13;
5&#13;
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            <description>An account of the resource</description>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Courtesy of Oberlin College Archives. Photographs vertical files: buildings RG 32/4, Carnegie Library's interiors with staff and students--ca. 1950s-1960s</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>The photographs and documents provided by the Oberlin College Archives may be downloaded for educational use only by Oberlin College and the Oberlin School District. For all other uses--including reproduction in any media--permission must be requested from the Oberlin College Archives. Please see http://www.oberlin.edu/archive/using/services/application.html</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>A language of the resource</description>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>verso: "Dave Hoecker (?) and Barbara Bolles"</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Princehorn, Arthur E.</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Photographs vertical files: buildings RG 32/4, Carnegie Library?interior with staff and students--ca. 1950s-1960s, Oberlin College Archives</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1967-01-01</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>The photographs and documents provided by the Oberlin College Archives may be downloaded for educational use only by Oberlin College and the Oberlin School District. For all other uses--including reproduction in any media--permission must be requested from the Oberlin College Archives. Please see http://www.oberlin.edu/archive/using/services/application.html</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Language</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Students viewing George Bernard Shaw Exhibit 2</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <description>A related resource from which the described resource is derived</description>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>The photographs and documents provided by the Oberlin College Archives may be downloaded for educational use only by Oberlin College and the Oberlin School District. For all other uses--including reproduction in any media--permission must be requested from the Oberlin College Archives. Please see http://www.oberlin.edu/archive/using/services/application.html</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>A language of the resource</description>
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